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Minggu, 06 Maret 2011

Nikon CF-DC1 Semi-Soft Case for Nikon D40 Digital SLR Camera (25355) Review

Nikon CF-DC1 Semi-Soft Case for Nikon D40 Digital SLR Camera (25355)
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I bought this case for my wife's Nikon D40 camera and it's a perfect fit. A word of caution though. If you intend to purchase the Nikon D40 bag kit (comes with a spare battery - highly recommend it), beware that you will not be able to place the camera with the case in the Nikon bag (not enough room).

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The Nikon CF-DC1 semi-soft case is an ever-ready style camera case made to carry a Nikon D40 digital SLR camera body and lenses up to 18-135mm Zoom Nikkor. It is an ideal way to protect your camera during travel.

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Canon EOS 60D 18 MP CMOS Digital SLR Camera with 3.0-Inch LCD and EF-S 18-200mm f/3.5-5.6 IS Standard Zoom Lens Review

Canon EOS 60D 18 MP CMOS Digital SLR Camera with 3.0-Inch LCD and EF-S 18-200mm  f/3.5-5.6 IS Standard Zoom Lens
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I bought this camera several days ago, it is an absolutely great camera. You may be confused on which brand to buy: Nikon D7000 or Canon 60D, that's pretty understandable. I've researched both Nikon and Canon for six months, personally, I like Canon 60D for its natural, crystal clear pictures as well as the super video quality. As to camera features, I think the most important is the picture and color quality. Canon 60D is awesome, it has the same picture quality as the Canon 7D but you can save five hundred dollars or more, in addition, you get very nice Canon 18-200 len, I enjoy it very much.

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Canon's 18.0 megapixel EOS 60D bridges the gap between the novice and the seasoned professional with a perfect combination of high speed and quality. ISO capabilities up to 12,800 deliver uncompromised shooting in the dimmest situations, and a vari-angle 3.0" Clear View LCD monitor with Live View function makes framing and viewing a pleasure. The EF-S 18-200mm IS lens provides a wide magnification range plus optical image stabilization.

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Canon EOS Rebel T2i 18 MP CMOS APS-C Digital SLR Camera Kit with 3 Inch LCD & EF-S 18-55mm f/3.5-5.6 IS Lens + WSP Mini Tripod & Cleaning Set Review

Canon EOS Rebel T2i 18 MP CMOS APS-C Digital SLR Camera Kit with 3 Inch LCD and EF-S 18-55mm f/3.5-5.6 IS Lens + WSP Mini Tripod and Cleaning Set
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Had an old Canon with film and it was stolen and then finally replaced it with this. I don't know why I waited so long. This is a great camera. I was afraid the pop-up flash would not be fast enough, but boy that thing is fast! You just push that little old button and bingo you have a fantistic picture. Quick and easy, I love it! And I have blown them up to 13" x 17" and the detail is excellent. Great camera.

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The new flagship of the EOS Rebel line, Canon EOS Rebel T2i brings professional EOS features into an easy to use, lightweight digital SLR that's a joy to use. Featuring a class-leading 18.0-megapixel CMOS image sensor and increased light sensitivity for low light photography, the EOS Rebel T2i also has an advanced HD Movie mode for gorgeous Full HD movies. Able to capture up to 3.7 frames per second, it's ready to go the minute it's picked up. Advanced Live View, a new wide-area screen, plus features like Canon's brilliant Auto Lighting Optimizer and Highlight Tone features ensure brilliant photos and movies, easily. With some of the most advanced features of any digital SLR, it's simply the best Rebel Canon has ever created.

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Nikon 35mm f/1.8G AF-S DX Lens for Nikon Digital SLR Cameras Review

Nikon 35mm f/1.8G AF-S DX Lens for Nikon Digital SLR Cameras
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This Nikon 35mm f/1.8G AF-S DX lens produces sharp pictures and great color and contrast. It is also perfect for portrait and other general purposes (semi-macro etc). This lens also produces nice bokeh. The picture quality and bokeh quality are comparable with the other Nikon prime lenses (50mm f/1.8, 50mm f/1.4, 50mm f/1.4 AF-S etc) lens which are famous for being sharp. Overall, this is a very versatile lens. On a non full frame DSLR (such as D40, D40x, D60, D5000, D80, D90, D200, D300 etc), this 35mm focal length is equivalent to about 50mm which is considered a normal lens (normal as to being close to a person eye viewing angle perspective).
Many of us, including those who already own the 50mm prime, have been waiting for this lens (prime lens that has wider angle than the 50mm) for a long time, especially for non full frame DSLR owners that usually have about 1.5x magnification due to the smaller sensor size. Those 50mm lens on a non full frame DSLR is equivalent to 75mm which is often too much zoom for many situation. For example in a room where you can't keep backing up to compose your photos, or when taking picture of a group of people where you will need to move back a lot with the 50mm lens. This 35mm lens will solve that problem to some extent as this is a lot wider lens than the 50mm prime lenses. Having said that the 50mm prime lens is still a great lens. If you don't own any of the earlier version of the 50mm lens and wondering if you should get this 35mm or the 50mm, then I would recommend you to get this lens over 50mm, unless you know for sure that you need more zoom than the 35mm for your purpose, then you can go and buy the 50mm or 85mm (both available on f/1.4 or f/1.8).
This lens (DX lens) is not designed for a full frame camera (FX or Film). There will be light fall-off which is quite significant. If you have a full frame DSLR, you might want to get the 50mm f/1.4 AF-S, or the older 35mm f/2 AF-D lens instead.
Being a prime lens (this 35mm lens), you will need to move your feet a lot to compose your picture.
While this lens produces very sharp images at f/1.8, the corner show lower contrast. Sharpness and contrast increases further as you stop down to f/2, f/2.8 and f/4. Sharpness increases slowly after f/2.8 (i.e. at f/2.8 seems to be the optimal, without sacrificing too much speed)
The big plus with this lens over the older 35mm lens is the AF-S feature which is auto focus system that is internal to the lens, very fast and very silent. This lens will please a lot of people who currently own D40, D40x, D60, and D5000, as they now can benefit from the autofocus.
Another big win is the manual override on autofocus mode (M/A mode), which will allow us to change the focus without having to change the mode to manual mode (this is pretty standard to most Nikon newer lenses but it's quite new for Nikon prime lens series)
This lens doens't have image stabilization (VR), but that is kind of expected as Nikon also doesn't include VR on their new 50mm f/1.4 AF-S lens. It would be nice to have VR (for longer exposure handheld operation, and for people with less stable photography technique) but it will probably increase the size, weight and cost of this lens.
If you are wondering whether you should get a fast lens or a lens with VR (Vibration Reduction), here's my take: In overall, VR does help a lot (as it will reduce camera shake) and will produce better/sharper picture than equivalent lens without VR (especially if the object is static). If the object is moving fast (sports/action) then VR feature alone might not help (depending on how fast the object is moving and how much light is available), and a fast lens often end up being a far better solution, even without VR feature as it will allow much faster shutter speed to freeze motion. Using tripod (and a remote) will substitute for the need of VR feature. In general I would recommend getting a fast lens with VR feature (and usually it is expensive) such as the 70-200 f/2.8 VR, but if one can only get for one or the other, then find out what do you want to use the lens for and then use the guideline mentioned here.
If you are wondering whether you will get the benefit of buying f/1.4 lens over a f/1.8 lens, just remember that the f/1.4 lens is about 60% faster than f/1.8 at its widest aperture setting. With this information, you can decide if the additional speed will justify the additional cost. The bokeh is nicer as well in f/1.4 lens but I think speed is usually the main factor in deciding whether to get the more expensive f/1.4 lens.
Here are the summary of pros and cons for this Nikon 35mm f/1.8G AF-S lens:
Pros:
1. AF-S AF-S AF-S (very fast focus, internal focus, and very silent)
2. M/A mode (manual focus override available on autofocus mode)
3. Very fast lens (f/1.8)
4. Very sharp pictures
5. Great for sport/action photography (though you might need more zoom)
6. Great for indoor and low light situation
7. Great for portrait
8. Bokeh is almost as good as many expensive Nikon tele-lens
9. Perfect for low light with no-flash event. However, also check out the following lens for low light photography: 17-35mm f/2.8, 24-70 f/2.8, 17-55mm f/2.8, 28-70mm f/2.8 or the the 50mm nikon prime lenses.
9. Great focal length (35mm). About 50mm equivalent which is a normal lens (If you need more zoom, you can get the Nikon 50mm or 85mm prime lens or 70-200mm f/2.8 VR lens).
10. Did I already mention very fast and very silent focus? :)
Cons:
1. Being prime lens, you need to move your feet a lot to adjust/compose
2. Being a G lens (no aperture ring available), this lens will not work on manual focus camera where you need to set the aperture from the lens)
3. No VR. As VR will be useful for taking handheld shots on low light (especially if the object is somewhat static or if the photographer doesn't have steady hands when taking photograph)
4. Not designed for full frame cameras (FX or Film) where there will be siginificant light fall-off.
Bottom line: This lens is so versatile that I think everyone should own this lens in addition to all the lenses that they already have (even if they alredy have the 50mm prime lens). Being a very fast lens, it will allow people to take action shot in low light that otherwise wouldn't be able to be do. And now, with AF-S, there is nothing to dislike about this lens (though in my opinion, this lens might attract even more interest if it has a VR feature).
Happy Photographing!
Sidarta Tanu

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The AF-S DX NIKKOR 35mm f/1.8G optical design allows a different look and feel to images taken with zoom lenses, and its dimensions are ideal for discrete snapshots and landscape shooting with a picture angle that approximates that of the human eye. With its rounded seven-blade diaphragm opening, out-of-focus elements appear more natural. When mounted on a DX-format SLR, the picture angle is the 35mm equivalent focal length of 50mm. The Nikon AF-S NIKKOR 35mm f/1.8G has two focus modes, M/A (manual override autofocus) and M (manual focus). The M/A mode enables instant manual switching during AF operation. The Nikon lens also features a rubber seal to minimize moisture ingression around the mount and can focus down to 0.3 meters (0.98 ft).FEATURES:
Fast f/1.8 prime NIKKOR lens -Perfect for low-light conditions, travel, environmental portrait and general photography
Engineered for Nikon DX-format digital SLRs - Optical formula optimized for use with Nikon DX-format digital SLRs, rendering a picture angle approximating the classic normal angle of view of a 50mm lens on a Nikon FX-format digital SLR or a 35mm film camera
Aspherical lens element - Minimizes coma and other types of lens aberrations, further improving image integrity
Nikon Super Integrated Coating (SIC) - Enhances light transmission efficiency and offers superior color consistency and reduced flare
Exclusive Nikon Silent Wave Motor (SWM) - Enables fast, accurate and quiet autofocus
Close focusing to one foot - For creative perspectives and versatility
Rounded 7-blade diaphragm - Renders more natural appearance of out-of-focus image elements


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Panasonic Lumix DMC-FZ40 14.1 MP Digital Camera with 24x Optical Image Stabilized Zoom and 3.0-Inch LCD (Black) Review

Panasonic Lumix DMC-FZ40 14.1 MP Digital Camera with 24x Optical Image Stabilized Zoom and 3.0-Inch LCD (Black)
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I've owned the FZ-40 for 6 days.
As an active traveler, I have used several different cameras. You really can't go wrong with any of the mega-zoom point and shoots - they all have their pros and cons.
However, the Panasonic FZ-40 is probably as good as P&S's will get with the current technology. Some day someone will figure out how to get a bigger and better sensor to work with a mega-zoom lens, but until then, the FZ-40 is my choice.
This camera is easy to use, quick focusing, and has all the manual adjustments and flexibility you will ever need. It's well-designed and built for the active photographer. It also has a long battery life, but finding replacement batteries is a problem that Panasonic needs to clear up fast! Image quality is excellent compared to its competitors. Image stabilization is outstanding, even at full 24X zoom I don't need a monopod or tripod (I need one with my Olympus SP-800). The zoom is also quiet and smooth. ISO looks good up through 800. I'm still experimenting with macro shots - I'm not real happy yet, but it's probably me. I can't tell a lot of difference between normal and fine JPEG's, except for the file size. The EVF is very good - I can't live without a good view finder. I've tried zooming in the wilds with an LCD screen, and it just doesn't cut it!
All in all, I rate this camera as excellent. I considered the FZ-100, but decided I did not need, nor want, the extra features. Besides, I've always had good results with the small CCD sensors.
I've posted some sample pictures here in the customer images section.

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Panasonic Lumix DMC-FZ40 14.1MP Digital Camera (Black)

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Canon Digital Rebel XSI 12MP Digital SLR Camera (Silver Body Only) Review

Canon Digital Rebel XSI 12MP Digital SLR Camera (Silver Body Only)
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My journey with DSLRs began back in 2003 with the original Digital Rebel. DSLRs changed my photography for the better like nothing else. Five years and some 25,000 shots later, it's still going strong. Along the way I upgraded to the Canon 30D, which is a fantastic camera as well. When the 40D was announced, I decided to wait until the 50D sometime in 2009, but wanted a newer backup/second body for my photography needs. So when the XSi/450D was announced, it sounded like a perfect fit for my needs.
I got it from Amazon.com three days ago, and have given it a pretty good workout since then, having shot about 650 shots under a variety of shooting conditions and with a number of different Canon and third-party lenses. The following are my impressions.
The build feels very good. The camera feels wonderfully light yet well built. I'm 6ft tall with average size hands, and the camera feels good in my hand. The battery grip, to me, defeats the purpose of having a small, light DSLR, so I opted for a Hakuba/Opteka grip (it's a plate that screws into the tripod socket that enables you to use the excellent Canon E1 hand strap with it) and I couldn't be happier. I'm not a fan of neck straps, so this works well for me (see the uploaded photo for the configuration).
Most of the menu buttons on the back feel different from the ones on the original Digital Rebel and the 30D; the XSi buttons feel more tactile and have a definite "click" to them when you press them. The exception are the Exposure Lock (*) and AF selector buttons, which have retained the deeper, softer feel of the older cameras. Just different, not better or worse, for me.
The LCD is now 3" with 230K pixels. The playback images look great, and probably because of the higher resolution of the sensor, there's a very slight delay when you zoom in to 10x while the image loads and displays properly. People coming from other cameras or brands might not even notice it--I only did so because of the difference between it and my two other Canon DSLRs (which have lower resolution sensors). The viewing angle of the LCD screen (how clearly you can see the screen from side and up and down) is excellent; you can still see the screen holding the camera almost straight up for an overhead shot (more on this later). I'd estimate the viewing angle is about 160-170 degrees both horizontally and vertically.
The Digital Rebel has a separate status screen above the main LCD screen, and the 30D had one on top of the camera, so I wasn't sure if I was going to like the big LCD acting as the status screen and no top screen. I'm happy to say that this arrangement works well, at least for me. The back screen makes it really easy to take all the settings at a glance. The viewfinder is much larger and brighter than that in the Digital Rebel. A humongously welcome feature for me is the always displayed ISO value in the viewfinder.
The camera is only 1/2 of the image quality equation, the other being the lenses being used. Coupled with my favorite lens, the Canon EF 70-200mm f/4 L telephoto lens, the XSi turns out fantastic images. The supplied kit lens is very light and compact for being an image stabilized lens, and turns out good performance. The IS is certainly very useful.
Two features that used to be missing from the Digital Rebels and found in the more expensive DSLRs are now featured in the XSi: spot-metering and flash exposure compensation (these may have been available in the previous Digital Rebel model, the XTi, as well). The inclusion of those two features make the camera a much more complete and compelling photographic tool. The timer function now has a custom mode, where it'll count down from 10 seconds then take a number of shots (specified by you) in succession. No more running back and forth to reset the timer after each shot! There's also the traditional 2-second timer.
Let's talk for a minute about sensor and the ISO values. XSi/450D has five ISO values you can choose: 100 (best image quality), 200, 400, 800, and 1600. Higher ISO increases the camera sensor's sensitivity to light, thus you can achieve faster shutter speeeds for a given lighting condition. However, the trade-off is that the sensor "noise" (think grain for film photography) increases with higher ISO, so you get a degraded image quality in return for less blurred photos from hand shakes (thanks to faster shutter speed). This may come in handy in situations where flash photography is not permitted, such as a museum or a concert or theater. HOWEVER, compared to point-and-shoot digital cameras, the larger sensors of DSLRs, including the XSi, means that even at ISO 800 and 1600 you get very usable images right out of the camera. Running the images shot at those ISO settings through any number of third-party noise reduction software will improve them even further.
This ties in to another very useful feature of the XSi/450D that makes life easier for the photographer: The Auto ISO function. By default, Auto ISO sets the ISO (the sensor sensitivity to light) between 100 and 800 (by using custom functions, this can be changed to 200-1600). If you are, for example, shooting your kid's indoor basketball game and you know that you need a shutter speed of at least 1/200 sec to "freeze" the action, then you can set the camera to Tv (shutter priority mode) and set the value to 1/200, and set the camera to Auto ISO. Then the camera will match the aperture and the ISO to achieve proper exposure at that shutter speed. With my other DSLRs, setting the camera to shutter priority only allowed the camera to adjust the aperture value; ISO setting had to be adjusted manually. With the XSi/450D, the ability for the camera to adjust the ISO value automatically makes it one less thing for you the photographer to worry about.
I've only tested the Live View function to see how it works, but I can already see how useful it's going to be in studio and macro shootings. Just a note, you can't half-press the shutter to autofocus while in Live View mode. You can either manual focus, or use one of the two autofocus methods, quick (the mirror flips up, the LCD goes dark for a short while, and flips down with focus locked) or live (the camera uses the LCD's contrast detection to achieve the focus--this method is slower than the quick method), both by pressing the exposure lock button (*) while in the Live View mode. Using either the RS-60E3 wired remote or RC-1 wireless remote in Live View mode will ONLY trigger the shutter, and has no bearing on focusing.
Some people seem to be under the impression that the inclusion of the Live View feature will enable them to use the XSi/450D as they do point-and-shoot digital cameras, to compose their shots. That is not the case. You can't really make a functioning use of the Live View feature unless the camera's securely mounted on a tripod or on a flat surface. Both Live View focusing modes, while precise, are too slow to be used for hand-held shooting.
Having said that, there is one use of Live View in hand-held shooting that I've come to value. When shooting overhead or over an obstacle, I can, with the same hand holding the camera, trigger the Live View, compose the scene through the LCD monitor (even if it's out of focus, it's easy to get the general framing right), disable Live View, and take the photo normally. With a little practice, this can be accomplished very quickly. Very handy when you're just holding the camera overhead and hoping for the best.
The Direct Print button that's been much ridiculed and maligned in most Canon cameras now double as the white balance menu button. The Set button in the middle of the four-direction arrow keys can be programmed for a number of different functions: Change image quality, flash exposure compensation, LCD monitor on/off (same as Display button, but can be triggered by the same hand holding the camera), and Menu display (again, can be triggered by the same hand holding the camera).
There is a dedicated ISO button, which is also very welcome. It can easily be accessed during shooting with the right thumb, thereby minimizing the interruption to shooting.
The battery life seems very good. I've shot about 500+ shots on a single charge and the status monitor is still showing charge at full.
I'm using Transcend 8GB Class 6 SDHC card with it. At ISO 100, the camera reports it can fit 396 RAW+JPG (highest quality) on it, but in reality it can probably fit about 420-450 (the camera's always conservative when estimating). With RAW only, it can fit 507. With highest quality JPG, it can fit 1,822. Note that as ISO increases, so do the file sizes and thus you can store less images per card. For example, on ISO 1600, the same card can only hold 323 images, compared to 396 at ISO 100.
My only gripe, and this is more about me than the camera, is the RAW+JPG buffer. I always shoot RAW+JPG, and the buffer will only hold four images at that speed (this is a limitation that's built into the camera's memory buffer system, and thus using a fast memory card doesn't help--see p.64 of the manual). When the buffer's full, you can take two additional images at about a frame a second, then have to wait until the buffer empties (finishes writing to the memory card). When shooting RAW only, it's 6 images. When shooting JPG only, then it's no problem at more than 50 frames. I've found myself switching the mode dial to Sports mode when I'm shooting a fast-moving subject and the buffer simply can't keep up with it. Well, that's why Canon produces different grades and ranges of DSLRs.
I've uploaded some photos that I shot of the local wildlife. Most if not all of those were taken with the EF...Read more›

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12.2 MP CMOS sensor, plus DiGiC III Image Processor, 14-bit conversion for tone and gradations, extensive noise reduction technology, and new Auto Optimization for superior highlight-shadow control. Silver.

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Pro Digital Hard Lens Hood For The Nikon D5000, D3000 Digital SLR Cameras Which Have Any Of These (18-55mm, 55-200mm, 50mm) Nikon Lenses Review

Pro Digital Hard Lens Hood For The Nikon D5000, D3000 Digital SLR Cameras Which Have Any Of These (18-55mm, 55-200mm, 50mm) Nikon Lenses
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I bought this product for cosmetic reasons mostly. I dont like how my curent non-tullip hood looks on my camera. I use it on my nikon 18-55mm lense. I love the way this looks on my camera. It does screw on only like a filter so be prepared for that. other lense hoods like this I have seen for as much as $40.00, so this is a steel for the money. I am completely happy with the product and shipping. The only thing to watch out for if anything is if you screw this on over a uv filter. At 18mm you do get a little vingetting, but this can be fixed by just removing the filter. It would be nice to be able to put filters on top of the hood but never the less I love the product.

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The Lens Hood is one of the most important accessory you need for each lens you own.A lens hood provides multiple functions: preventing image-degrading lens flare by blocking stray light from striking the surface of the lens, it enables your lens to give you the sharpest photographs with the best contrast and most vivid colors, in inclement weather, it can assist in keeping moisture or wind-blown debris off the lens; and it protects the front barrel from the inevitable impacts against walls, door frames, and other real-life obstacles.Regardless if you're a casual photographer/videographer or a serious "prosumer" there's a Polaroid tripod designed with your needs in mind.No matter if you choose our ultra compact desktop models, our unique monopod or our ruggedized all terrain models, you'll immediately understand why Polaroid tripods are considered the ultimate in "classic image stabilization"Specifications:Net weight" 2 ozFolded Length: 4"Extended Length: 5"

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